About
Upon reflecting on the recurring motifs within my practice, I have observed how graphic forms can serve opposing purposes: they can either unify or divide. This insight prompted me to investigate how visual signals operate more broadly within human experiences, shaping our perceptions of connection and otherness. Drawing from concepts in physics—particularly the fabric of space-time—I seek to expand graphic design into three dimensions, constructing a spatial narrative that invites open interpretation and resists singular readings.
This project is influenced by the visual vernacular of New York City. It utilizes materials intrinsic to the city's landscape to reconfigure communication patterns, thereby creating a multidimensional narrative. The installation comprises four large-scale posters mounted on hinged plywood panels, featuring green-painted plywood that evokes construction scaffolding, as well as typographic elements inspired by the subway system. Yarn is used to direct or obstruct movement, highlighting the importance of embodied experiences.
